Chú thích Cao độ (âm nhạc)

  1. ↑ Anssi Klapuri and Manuel Davy (2006). Signal processing methods for music transcription. Springer. tr. 8. ISBN 978-0-387-30667-4. 
  2. ↑ Plack, Christopher J.; Andrew J. Oxenham, Richard R. Fay, eds. (2005). Pitch: Neural Coding and Perception. Springer. ISBN 0-387-23472-1. For the purposes of this book we decided to take a conservative approach, and to focus on the relationship between pitch and musical melodies. Following the earlier ASA definition, we define pitch as 'that attribute of sensation whose variation is associated with musical melodies.' Although some might find this too restrictive, an advantage of this definition is that it provides a clear procedure for testing whether or not a stimulus evokes a pitch, and a clear limitation on the range of stimuli that we need to consider in our discussions.  Chú thích sử dụng tham số |coauthors= bị phản đối (trợ giúp)
  3. ↑ Roy D. Patterson, Etienne Gaudrain, and Thomas C. Walters (2010). “The Perception of Family and Register in Musical Tones”. Trong Mari Riess Jones, Richard R. Fay, and Arthur N. Popper. Music Perception. Springer. tr. 37–38. ISBN 978-1-4419-6113-6. 
  4. 1 2 Hartmann, William Morris (1997). Signals, Sound, and Sensation. Springer. tr. 145, 284, 287. ISBN 1-56396-283-7. 
  5. ↑ Plack, Christopher J.; Andrew J. Oxenham, Richard R. Fay, eds. (2005). Pitch: Neural Coding and Perception. Springer. ISBN 0-387-23472-1.  Chú thích sử dụng tham số |coauthors= bị phản đối (trợ giúp)
  6. ↑ Robert A. Dobie and Susan B. Van Hemel (2005). Hearing loss: determining eligibility for Social Security benefits. National Academies Press. tr. 50–51. ISBN 978-0-309-09296-8. 
  7. 1 2 E. Bruce Goldstein (2001). Blackwell handbook of perception (ấn bản 4). Wiley-Blackwell. tr. 381. ISBN 978-0-631-20683-5. 
  8. 1 2 Richard Lyon and Shihab Shamma (1996). “Auditory Representation of Timbre and Pitch”. Trong Harold L. Hawkins and Teresa A. McMullen. Auditory Computation. Springer. tr. 221–223. ISBN 978-0-387-97843-7. 
  9. 1 2 3 Olson, Harry F. (1967). Music, Physics and Engineering. Dover Publications. tr. 171, 248–251. ISBN 0-486-21769-8. 
  10. ↑ B. Kollmeier, T. Brand, and B. Meyer (2008). “Perception of Speech and Sound”. Trong Jacob Benesty, M. Mohan Sondhi, Yiteng Huang. Springer handbook of speech processing. Springer. tr. 65. ISBN 978-3-540-49125-5. 
  11. 1 2 Carroll C. Pratt (1930). “The spatial character of high and low tones.”. Journal of Experimental Psychology 13: 278–85. 

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